My artistic practice explores the fragile boundary between the visible and the invisible — between the body and the mind, science and myth, perception and belief. Through photography and interdisciplinary research, I investigate how symbolic and emotional experiences reveal the complexity of human cognition, and how culture and neurophysiology shape the way we see, feel, and remember.

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Dreams, nightmares, hallucinations and other altered states of consciousness are recurring territories in my work. I approach them as both psychological and cultural phenomena: reflections of our inner landscapes and collective imagination. Many of these experiences are also linked to medical or neurological conditions that challenge our perception of reality. By translating them into visual form, I aim to give presence to what is often intangible, invisible, or misunderstood, bridging the poetic and the clinical, the subjective and the scientific.

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Photography remains the foundation of my visual language: a medium capable of capturing not only what is seen, but also what is sensed, remembered or imagined. Around it, I build immersive installations and time-based works that invite viewers to experience perception itself as a living, mutable process.

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Ultimately, my work seeks to expand the visual vocabulary of the mind; to transform invisible experiences into tangible encounters, and to explore how art can illuminate the subtle space where culture, science, imagination and emotion converge.